Daniel Snoke, Jalen Bell, Nate Glaser Jr., Eron Lauchié
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A song of trust and devotion based on Psalm 63
John Grummitt, Mary Elizabeth Byrne, Eleanor Henrietta Hull
I was singing this hymn devotionally one day when I simply carried on into a chorus because I felt a need to follow up a devotional verse with a chorus that committed me to practical application. I went with it, and this is what I came up with. I subsequently used it at church the following Sunday and it went down very well. Now I just need Chris Tomlin to cover it, and I can retire. In the meantime, you could use it!
A complete remake of my song based on Psalm 46. It is written in a Contemporary Christian/Christian Rock/80's synth style. Like many Psalms, it contains elements of questioning, challenge and finally, faith. The calm choruses contrast with the wordy, stream-of-thought verses, providing a faithful assurance in our times of doubt and confusion. Note that this recording is in the key of F# while the printed music is in the key of F.
This song started with a challenge: 'write a song about rest'. I was just reading Psalm 34 that week: Taste. See. Pondering on what that might mean, I realised that to really taste or see, I needed to pause, to rest, so I could focus on what my senses noticed. I decided to write about this Psalm and working on it, I found out it ministered to me. The song kept coming back when facing a small surgery I was really afraid of. I listened to the song over and over again and also sang it to others. It is the opening song of my first album as I hope my songs will help others to taste and see that the Lord is good.
John Cottey
Song written and recorded by John Cottey, shared at the UA UK New Song Night Nov 2025.
'He says, “Be still, and know that I am God; I will be exalted among the nations, I will be exalted in the earth.”'
Inspired by Psalm 46:10 this song describes what that 'being still' looks like for me in every day life. It serves as an affirmation before God that, though I struggle with it, I will seek to be obedient. It also serves as a reminder to myself that not only is this something I should do, but that ultimately it is for my benefit.
I'm very grateful to Andy Biggs for giving his time to help improve the sound of the very rough recording I sent him. Both using his production skills to get the best out of the recording I sent, and adding in additional instrumentation to give it a richer overall sound.